This article about the Andrew Wakefield movie, 1986: The Act, was written by Dorit Rubinstein Reiss, Professor of Law at the University of California Hastings College of the Law (San Francisco, CA), who is a frequent contributor to this and many other blogs, providing in-depth, and intellectually stimulating, articles about vaccines, medical issues, social policy, and the law.
Professor Reiss writes extensively in law journals about the social and legal policies of vaccination. Additionally, Reiss is also a member of the Parent Advisory Board of Voices for Vaccines, a parent-led organization that supports and advocates for on-time vaccination and the reduction of vaccine-preventable disease.
In 1986: The Act, Andrew Wakefield has created a very long parade of anti-vaccine claims from the past forty years or longer. The movie combines half-truths, facts taken out of context, and blatant misrepresentations to try and mislead people into refusing to vaccinate and protect their children.
In his post on the topic, my friend and colleague Dr. Vince Ilannelli addressed the potential motivations behind 1986: The Act from Andrew Wakefield, the problems with the credibility of the director and many of the main actors, the problematic nature of the sources in the movie, and some of the inaccuracies surrounding DTP.
In this post, I will cover some of the same ground, but my main focus will be to show why the film is unreliable. Obviously, I cannot cover every detail of the long film and keep this manageable, but I can cover many of the highlights, and I hope to make it clear why I think it’s unreliable.
Before starting on those, however, readers deserve a reminder that Andrew Wakefield, the creator of the film, has a well-earned reputation as a dishonest scientist. Wakefield misrepresented information about MMR and hid conflicts of interests, and as a result, outbreaks of measles in Europe and the United States harmed and killed children.
1986: The Act is no different.
The movie is framed as a discovery journey of a couple from the point where the woman discovers she’s pregnant to the point where she gives birth, during which they go through a lot of anti-vaccine sources and become thoroughly and extremely anti-vaccine, ending the movie as participants in an anti-vaccine event. It is, as I mentioned, a parade of greatest hits of the anti-vaccine movement – mostly claims that have been addressed again and again over the years, some twenty years old, some almost forty years old, some older still. There is little new in 1986: The Act. Continue reading “Latest “act” from Andrew Wakefield – recycling 1986 anti-vaccine tropes”